“Incredibly emotive pieces. A tender, touching album” Loud and Quiet (Albums of the Month)
“James Heather’s debut album quietly announces him as a new contender. A possible future heavyweight.” The Arts Desk
“This classical masterwork seems like it has simply come out of nowhere.” Bandcamp (Albums of the Week)
“Stories from Far Away On Piano is a fragile, beautiful album – reminiscent of modern composers such as Nils Frahm
and Max Richter.”
Line Of Best Fit
“A masterful set of contemporary piano pieces. The sound Heather makes is captivating.” Electronic Sound
“Heather joins a growing group of pianist-composers who have learned their lessons from the classical masters and
invented a new language for our own time.” iTunes
“Capable of supreme tenderness and yet, tonally, hugely powerful.” Mixmag
“Shimmers on the cusp of emotive melody and ambience.” Mojo
As a child growing up in Southampton, James Heather’s Grandad on one side of the family taught him composition and
how to manipulate the tuning of piano strings, whilst his Granny on the other used to dabble with dreamy improvisations
on the instrument. His own early compositions came soon after around the age of 11, also inspired by a love of Beethoven
and Debussy and his older neighbours pirate radio station and have steadily evolved ever since with his Grandparent’s
spirit somewhere within. Heather spent many years honing composition before stepping out, to be able to bring a fresh
take to solo piano music, taking influence as much from electronic music in structure, ambience and melody with a
classical and jazz grounding.
Recently Heather started to release music officially via Ahead Of Our Time - Ninja Tune founders Coldcut’s resurrected
first label and playground for free expression/experimentation. First came “Modulations: EP1”, seven tracks which
were written and recorded at different times and in various headspaces. Next came his debut album “Stories From Far
Away On Piano” in August 2017, a more unified conceptual piece of work. The album concept centres on Heather’s interpretations
of real world news stories. The pieces ebb and flow, slowly enveloping the listener in a subtly subliminal fashion.
These tracks have gone on to receive more than 20 million plays on Spotify as well as millions on Apple and other
services. In May 2018 the record was released on vinyl for the first time.
“The album is an appeal to emotion, a way of bringing the listener in, to evoke an empathetic response, this is my
interpretation of stories I discovered. The stories themselves are not the focus, but the piano assimilation
is, as the album is about viewpoint, opinion and perspective.”
Perspective is something Heather has in abundance; he nearly died in a traumatic road traffic accident, leaving him
in a coma in intensive care and then off work for an extended time. One permanent injury was his finger, which became
skewed in the crash. He was initially unsure if he’d ever be able to play to the same standard again. “When I eventually
started to recover I began taking my musical sketches more seriously. I found solitude channeling my feelings into
The embryonic unofficial releases ‘The Accidental Sessions’ and ‘Water Sonatas’, helped hone his production skills
and compositional technique and received warm reactions, with the experiences being fed into his official debut album.
His communications job since 2003 at Ninja Tune may have cut in to his own composition time, but has also proved
a positive formative effect on his mindset, exposing him to successful campaigns for talent like Wiley, Kamasi Washington,
Actress, Cinematic Orchestra, Thundercat, Young Fathers, Kate Tempest, Bicep, The Bug and Bonobo, which have become
a grounding anchor. “I’ve always liked to step out of myself and to become immersed in and help other people’s artistic
visions, I’m blessed to be able to do that as a job. I can then meditate in my own music in periods of downtime away
from the noise of the industry. This push and pull has worked for me till this point.” he explains.
Heather’s music has featured on many Spotify playlists such as Peaceful Piano, Lucid Dreamer and Most Beautiful Songs In
The World. Whilst on Apple, Heather has been featured on playlists such as Headspace and Meditative Moments and reached
number 2 on the UK classical charts in iTunes. Coverage in the media has included interviews at
Loud & Quiet as well as glowing reviews at
Arts Desk, Line Of Best Fit, Mojo, DJ and many more. Heather has also completed DJ mixes on
Vinyl Factory (which received
Resident Advisor mix of the day status) and
Headphone Commute. His first ever live performance was at Glastonbury 2017 and has since played on bills supporting
Laura Marling, Jóhann Jóhannsson and Lubomyr Melnyk (Erased Tapes) Heather recently composed a score for Iskra Strings
(Radiohead, The XX & Ólafur Arnalds) for his headline show at St Pancras Old Church in London and is starting work
on new music.
Heather is one of the new school set of ‘post classical’ artists flourishing in the wake of the long, steady but
recently accelerated success of figureheads like Max Richter and Nils Frahm, and the wider public’s overdue but now
burgeoning relationship with this varied genre.